Anyway, it's clear that Leo is capable of more than the occasional wild stab in the dark. Much more. Because no sooner than the postie had delivered this grand prize to Leo's door, he's popped it straight onto the plasma with pencil and notepad in hand, to look upon it with a critical eye. There wasn't even time to make popcorn.
... and so the Brown Couch welcomes Leo to the podium, to discuss "Pacific Heights". Talk us through it, Leo. What's it all about?
Leo PR: Ladies and gentlemen, thank you... What a great audience...
You know, if all the bad tenants in the US were to sharehouse together and after a couple of months were asked who amongst them was the worst tenant of all, that bad tenant would not be Carter Hayes. This isn’t because the other tenants wouldn’t have voted for him, it’s because everyone else would have left or been beaten into submission.
Michael Keaton’s portrayal is still being used by real estate agents around the world to demonstrate the pitfalls involved when choosing tenants. But it’s really more a tale of the dangerous lengths and risks people will take to own their own home.
In an apt parable of Australia’s attitudes towards renting, this malevolent force is actually an aspirational home owner and investor himself. Taking advantage of Frisco’s lack of a low-cost adjudication system he moves in to a house with the protection of supposedly tenant-friendly laws and a slow, expensive eviction system. In the words of the landlord’s attorney “the net effect of these laws is to protect any pointy-headed cretin who moves into your property and slowly drives you bankrupt and insane.” Landlords in NSW should be so lucky!
The aim of his game is to drive the landlords into bankruptcy and snap up the property at massively reduced prices.
Post-beetlejuice, mid-batman Keaton, pre-Antonio Griffiths and what-else-has-he-been-in-again Modine all do fine jobs in their roles. Keaton handles the shift between sociable and respectable yuppie and creepy psycho very well, clearly his role in Batman had honed that skill.
Modine's character is no angel himself, proving to be his own worst enemy by managing to break almost every rule in whatever book you happen to be using. With some serious anger management issues he was the perfect target for our antagonist’s plots and destroys any sympathy you might have had for him by petulantly exploding with rage any time he doesn’t get what he wants.
Melanie Griffiths provides the true victim between her tenant and live-in partner, pitching herself nicely as a young, naive but ultimately decent person. The final revenge sequence is one of the only properly well-directed sequences in the film.
The movie itself is a mishmash. I don’t know if I’ve been innured by hundreds of hours of violent video games, Marilyn Manson and the Saw movies but as a thriller the film fell flat. Perhaps you need to be a landlord to truly appreciate the scariness of that staple of yuppie horror stores... a baaaad tenant.
All told, a dated, ocassionally sloppy and amateurishly symbolic but nevertheless enjoyable argument against debt. Of course, these intrepid landlords still want to make good on their investments. They list the property at 20% more than they paid only 6 months before, and suck another young couple into a mortgage they can ill afford.
In Hollywood, as in all good fiction, the good guys always seem to win in the end.
